Recordings For Beginning Jazz Clarinet Studies, Volume 2
by Kyle Coughlin
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Feel free to listen to the jazz clarinet music below. Each recording matches the material in Beginning Jazz Clarinet Studies, Volume 2. Once you purchase the book, you may download the recordings and burn them to CD or an mp3 player for practice purposes. See the details at the bottom of this page.
The recordings feature Kyle Coughlin on clarinet and Lou Rainone on piano.
Concert B flat Tuning Note
Master Class #13 -- Review of Volume 1
Piano Accompaniment for Etude #13
Master Class #14 -- Syncopation
Piano Accompaniment for Etude #14
Master Class #15 -- Syncopation
Piano Accompaniment for Etude #15
Master Class #16 -- Moving Syncopation
Piano Accompaniment for Etude #16
Master Class #17 -- Upper Register
Piano Accompaniment for Etude #17
Master Class #18 -- Crossing the Break
Piano Accompaniment for Etude #18
Master Class #19 -- The Blues
Piano Accompaniment for Etude #19
Master Class #20 -- More Syncopation
Piano Accompaniment for Etude #20
Master Class #21 -- Running Eight Notes
Piano Accompaniment for Etude #21
Master Class #22 -- Running Eighth Notes
Piano Accompaniment for Etude #22
Master Class #23 -- Playing By Ear
Playing By Ear Example 23a
Playing By Ear Example 23b
Playing By Ear Example 23c
Playing By Ear Example 23d
Playing By Ear Example 23e
Playing By Ear Example 23f
Playing By Ear Example 23g
Playing By Ear Example 23h
Master Class #24 -- Composition
Exercise 24 (Track #42)
Master Class #25 -- Composition
Exercise 25a (Track #44)
Exercise 25b (Track #45)
Return to the Beginning Jazz Clarinet Studies, Volume 2 information page.
More information on Kyle Coughlin.
More information on Lou Rainone.
By downloading any of these recordings you agree to the following:
You acknowledge Kyle Coughlin as the legal copyright owner of the compositions and recordings.
You will only use the recordings for educational purposes in conjunction with the book, Beginning Jazz Clarinet Studies, Volume 2, by Kyle Coughlin. You will not reproduce any of the recordings for any other purpose. You will not redistribute any of the recordings without permission. You will not claim any of the recordings as your own work.
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